First broadcast in April and May 1971, this six-part serial marks the first time the Third Doctor leaves Earth following his Time Lord-imposed exile. Adventure 58 in the Doctor Who canon, it’s a tale that explores themes of exploitation, environmental degradation, and the resilience of communities under threat.
The story begins with the Doctor and Jo Grant being sent by the Time Lords to the planet Uxarieus, where a human colony is struggling to survive. The colonists face constant challenges—from failing crops to attacks by what appear to be primitive natives. Their problems escalate when a powerful corporation, the Interplanetary Mining Corporation (IMC), arrives, intent on claiming the planet’s resources. Adding to the intrigue is the reappearance of the Master, who is searching for an ancient weapon hidden on Uxarieus, one that could give him unparalleled power.
Jon Pertwee’s Doctor thrives in this off-world setting, his combination of charm, intellect, and determination perfectly suited to the high-stakes environment. Pertwee’s Doctor is at his best when faced with moral dilemmas, and Colony in Space provides plenty. Whether he’s mediating between the colonists and the IMC, uncovering the Master’s schemes, or navigating the complexities of the planet’s mysterious native culture, Pertwee delivers a performance that is both commanding and empathetic.
Katy Manning’s Jo Grant continues to grow as a character, proving herself resourceful and courageous. Her wide-eyed wonder at the alien landscape contrasts beautifully with her quick thinking and determination to help the colonists. Manning’s chemistry with Pertwee remains a highlight, and her moments of vulnerability are balanced by her resolve to stand up against overwhelming odds.
Roger Delgado’s Master adds his usual blend of charm and menace, further complicating an already fraught situation. His plan to seize the ancient weapon, a doomsday device left behind by the extinct civilization of Uxarieus, ties the story’s threads together while providing an additional layer of danger. Delgado’s ability to make the Master simultaneously affable and terrifying is on full display, his interactions with Pertwee’s Doctor brimming with tension and wit.
What stands out most about Colony in Space is its ambitious attempt to tackle weighty themes. The story’s critique of corporate exploitation and environmental destruction feels remarkably prescient, even from a 2025 perspective. The IMC’s blatant disregard for the colonists and their willingness to use violence to achieve their goals reflect ongoing concerns about the impact of unchecked capitalism. The plight of the colonists, who are trying to build a sustainable community against seemingly insurmountable odds, adds an emotional resonance that grounds the narrative.
The native inhabitants of Uxarieus, initially depicted as a hostile and primitive threat, are gradually revealed to be far more complex. Their connection to the ancient civilization and their role in protecting the doomsday weapon highlight the story’s themes of cultural misunderstanding and the importance of respecting indigenous peoples and their histories. While some aspects of their portrayal might feel dated, the underlying message remains powerful.
The production design is both imaginative and resourceful, creating a believable alien world despite the limitations of 1970s television budgets. The barren landscapes of Uxarieus, combined with the industrial aesthetics of the IMC’s equipment, create a striking visual contrast that reinforces the story’s central conflict. The direction by Michael Briant ensures that the narrative’s tension and stakes are maintained throughout, balancing moments of action with quieter scenes of character interaction and world-building.
Watching Colony in Space again, I was reminded of how well Doctor Who uses its science fiction framework to explore real-world issues. The story’s commentary on resource exploitation, environmental stewardship, and the resilience of marginalized communities feels as relevant today as it did in the early 1970s. The interplay between the Doctor, Jo, and the Master adds depth and complexity, while the plight of the colonists and the native inhabitants lends an emotional weight that resonates long after the credits roll.
While Colony in Space might not have the relentless pace or iconic moments of some other adventures, it’s a story that rewards thoughtful engagement. Its ambition, thematic richness, and strong performances make it a standout entry in the Third Doctor’s era, showcasing Doctor Who’s ability to tackle serious issues while delivering compelling drama and adventure.
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