Moo begins
revisiting the Thirteenth Doctor’s divisive freshman year.
It’s hard to believe
that it was a over a year ago that series eleven was hitting
our screens.
Series Twelve is well
underway now. There’s so much to process after Spyfall, with a
brand new Master in the universe to cause trouble, like casually
destroying Gallifrey for instance. And there’s that whole business
with the Timeless Child, whatever that is. I can’t wait for that to
be utterly pointless.
But let’s not get
ahead of ourselves. How well does the Thirteenth Doctor’s debut
season hold up now the dust is settled?
Join me, won’t you?
Let’s revisit those episodes in brief and ask if they’re actually
any good.
The Woman Who Fell
to Earth
It’s a debut story
for the new Doctor and one of the most viewed episodes of all time.
But is it actually any good? Well… yes, technically.
The story itself is
kind of secondary to the fact it has to introduce not just a new
Doctor but also three new companions. Chris Chibnall wisely does this
while keeping the TARDIS and title sequence at bay, to make it easier
to access for the anticipated new viewers.
The storyline itself is
decent enough. There’s an alien warrior tracking down an assigned
target in a very Predator-like way, nothing special but a watchable
story that engages while it lasts. Tzim-Sha (or Tim Shaw if you
prefer) looks threatening but his character is lacking in depth or
interest. Similarly the decision to kill-off Grace is a very
questionable one.
But overall The Woman Who Fell To Earth is a
decent story for what it is.
The Ghost Monument
Following on from a solid
cliffhanger ending, the second episode gets off to a great start. The
first fifteen minutes of this episode are non-stop action and
adrenaline that keeps the viewer engaged.
Sadly there’s still
over another half hour left. The Ghost Monument is mostly filler. Angstrom and
Epzo are one-dimensional characters who we never get a reason to
invest in, and the story itself is mostly non-existent. We have
threats teased and arcs set-up, but none of them go anywhere and then
it ends.
Nothing to see here,
move along. Oh wait, I guess this is important as we’re doing the
Timeless Child now. It was dull back then, and I expect it’ll be
dull now. Whatever.
Rosa
Chibnall wisely shifts
into co-writer position for this instalment, with the main credit
going to Malorie Blackman of Noughts & Crosses fame. Like that
novel, she is writing a story about race. The fact it’s an episode of
Doctor Who is more of a convenient excuse for the story to
happen.
This episode tells the
story of Rosa Parks, but handles it with care and dignity to get away
with such difficult material. However it doesn’t shy away from
the reality of racism, both historical and contemporary, and goes
head-on into it. Ryan getting slapped in the face for no good reason
is the first sign of what we’re in for here, and it goes only
further from there.
I cannot praise this
episode enough for how the Doctor and her companions are utilised:
Rosa Parks is never at any point inspired by them to stand up for
herself – it’s all her, as it should be. If there are complaints
to be made, then the diminished role of other civil rights leaders is
one. The way it relates to the modern world (especially the hero
worship of Obama and the shoutout to Rosa Parks asteroid) feels a
little tacky too, and the villain is so under-developed that
one-dimensional is too generous a description. These hold it back,
but Rosa is an otherwise excellent episode.
Arachnids in the UK
This episode has a
mixed reputation, but I actually really enjoy it. That’s not to say
it’s especially good – it’s ultimately a subpar remake of The
Green Death – but I have tremendous fun with it.
Chibnall doesn’t hold
back on the spider imagery. They’re under the bed, they’re
crawling over doors, on the ceiling, hiding in the wall, and coming up
the bathroom plug. The whole thing uses these setpieces to create a
fun rompy adventure that amounts in the end to a silly runaround with
a resolution that’s far too simple and under-developed to really
work.
There’s also a Trump
satire in it. It’s about as developed, coherent, and necessary as
this sentence. But at least Arachnids in the UK is a fun watch while it lasts.
The Tsuranga
Conundrum
This is where the rot
sets in. Episodes like this are everything you thought we wouldn’t
have to endure post-Davison era. The Tsuranga
Conundrum features a series of bleach-white sets
that all look the same, a supporting cast that are just there to fill
time, an exposition-driven narrative, a monster that looks
ridiculous, and a title that is obnoxiously unpronounceable.
From what I can tell,
another writer was initially set to do this story but pulled out
forcing Chris Chibnall to step in. If so, you can forgive it being a
messy episode. Unfortunately you can’t forgive it being boring.
You can compare this to
Arachnids in the UK for messiness, but at least that one is fun to
watch. The Tsuranga
Conundrum is about as fun as watching paint dry, only less
eventful. It's big joke? People eat avocados and isn’t that funny to
say the word avocado.
Give me strength!
And that's a good time to take a break. Make the jump here as we continue with the back-half of series eleven of Doctor Who.
“Moo” is the pseudonym used by this Doctor Who fan. He can usually be
found procrastinating by thinking about Doctor Who. Follow him on
Twitter @z_p_moo for more of his unusual takes, but do so at your own
risk.
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