Tony ‘assentuates’
the positive.
Chris
Chibnall and dramatic series finales go together like swimming and
paving slabs. If you tie yourself to the former, the latter’s not
impossible, it’s just very very tricky to deliver.
The Battle Of Nobody
Cares barely raised the skin off an unlimited rice pudding, and
if you can remember a single one of the guest characters’ names
without resorting to Google, you’re a better fan than I am.
With Ascension Of
the Cybermen though, there was the opportunity to get something
very very right – I mean, it’s got Cybermen in the title, for a
start, and while none of them have been stone cold classics, the
Cybermen have delivered at least something interesting in a handful
of series finales in recent years.
Unfortunately…
Unfortunately, there’s
a style of writing which Chris Chibnall has made his own, and to
which, bless him, he sticks doggedly, irrespective of results. That’s
the telling, rather than showing approach of scriptwriting. In terms
of dramatic tension, what that does is punch a Cyber-fist-shaped hole
in the bucket of tension you’re trying to transport from the start
of an episode to the end.
In Ascension of the
Cybermen, we’re initially confused as to what programme we’re
watching – a friend immediately quipped ‘Is this Doctor Who or
Ballykissangel?’ – the rural, bucolic, post-war Irish drama of a
mysterious baby left in the road and the flashes forward through his
life are undoubtedly leading somewhere, particularly after he’s
shot and falls off a cliff and stubbornly refuses to die (Son of
Harkness, anyone?), but in terms of tone, they don’t immediately
promise the most exciting of Doctor Who series finales.
But that’s fine,
because up pops the Doctor and Fam, at the end of the Cyber-Wars,
with what we’re told – again, told – are the last seven humans
alive. Refugees, not warriors, they’ve never tried to fight the
Cybermen, but have always run away. Sensible, but the point is, there
are names exchanged in a hurry, and it’s absolutely not worth
our while learning any of them. They’re rent-a-humans, with
minimal personality. In fact, when one of them tells his trauma-muted
brother ‘That’s gotta be good news!’ you can absolutely put
money on one or the other of them being dead within fifteen minutes.
Spoiler alert: you’d be rich if you did.
Apparently, the Doctor
has once again parked an inconvenient distance away from the action,
more or less precisely so she can say ‘You’ll never make it back
to the Tardis alive,’ and close down that most logical of escape
routes. More to the point, all the kit she and the Fam cart into the
zone to defend the humans apparently fell of the back of a lorry and
is precisely no use when faced with Cyber-drones.
Can we talk about the
Cyber-drones for just a second?
The idea that the
Cybermen would have drones to act as an advance guard and
minimise casualties in a conflict which has taken its toll on their
numbers? – absolutely spot-on. The idea that they’d look like
Cyber-heads? Unff. Cringeworthy. If they did creepy
Cyber-things, like begin the process of Cyberization, as per the
Cybermites of Nightmare In Silver, fine – flying Cyber-heads
that caught humans by the neck and began the conversion process? Hell
yes. Drones that look like Cyber-heads out of some apparent desire to
market the brand? No. And yes, I’m aware of a hypocrisy here –
when Dalek agents suddenly had eye-stalks burst out of their
foreheads, nobody appeared to bat an eye. It’s the feeling that
there were so many better ways to deliver the notion of
Cyber-drones than this that really rankles.
And when one of the
refugees, the ‘leader, as much as anyone’s the leader’ (a line
that encapsulates part of the problem with Chibnall
characterization), tells the Doctor they’ve been running all their
lives and no-one cares, the Doctor determinedly tells them – and us
– that ‘We care!’
The point being we’ve
been given exactly zero reasons to agree with her. No actual
characterization has taken place, just some clunky
exposition-as-character, and you can’t force people to care
about your characters, you have to make them earn it. And this
lot don’t, so we’re being forced to try to care about the idea
of the characters, this plucky band of the last seven humans,
irrespective of who they actually are, because no-one’s put
the work into showing us that. Instead, we’ve had the
Ballykissangel scenes. These are choices that, like the cut-aways
from action to family drama in Resolution, slow down the
equally manufactured pace of the action, and take us from battle
drama at 60 miles per hour to family drama at 20 and back again. It’s
a guaranteed way to stall the engine of your drama, and it works here
to rob even the battle of its pace. We should care about the
people in the battle. It should feel frenetic and desperate and
dangerous. But for all the CGI and shouting, the battle scene in
Ascension of the Cybermen feels about as frenetic as eating a
cheese sandwich.
Now, the Lone Cyberman
from The Haunting Of Villa Diodati is of course back, and it’s
not until this episode that we realise what his actual function in
the drama is supposed to be – he’s the New Who equivalent of the
‘positively flippant’ David Banks Cyberleader in Earthshock,
or the Cyberleader in the equally emotive Revenge of the Cyberman.
He’s the Cyberman with personality, who raises them up (who
lets them ascend, if you like) above being an army of identical
logical cyborgs. But whereas in Diodati his mission was
desperate and raging and powerful, here, he’s left with quite a lot
of prophetic exposition to do, lots of ‘Yadda yadda destiny, yadda
yadda ascension, yadda yadda keep watching everyone, it’s about to
get interesting any minute now…’ which oddly makes him feel less
of a threat – in the parlance of bullies, there are doers and there
are talkers. The more he talks, the less seriously we’re inclined
to take him in this episode. That said, he does provide a solid
enough arch-villain sounding board against which the Doctor can rail,
only for him to undercut her sense of towering self-certainty. It’s
almost as if the Davison Doctor were faced with a Cyberleader who,
faced with the speech about eating a well-prepared meal responded not
with ‘These things are irrelevant,’ but with ‘I’m going to
eat your bones, mate, so stitch this.’
Throughout the episode,
not a single one of the escaping humans really becomes a believable
character, and not even the wonderful Julie Graham can really lift
her character to the point of having a personality, just as it
ultimately proved beyond the usually equally joyous Phyllis Logan in
The Battle Of Thingummy Doodah.
Now, one thing can and
must be said. The design on this episode is drop dead gorgeous. The
gigunda-Cybership on which our humans, along with Graham and Yaz,
find themselves, elevates the sense of scale at work to a whole new
level, and the new Cyber-head design is a thing of almost as iconic a
beauty as the original Dalek or its 2005 bronze do-over. It’s a
fabulous synthesis of the evolving ‘Iron Man’ version with the
older, chunkier and infinitely more threating ‘Invasion’ style
Cyber-head, and the truth is, we could watch these Cybermen walk down
corridors all day long and sigh happily, feeling ourselves well
served. And indeed, many fans will have felt this way after Part 1
of Ascension Of The Cybermen – They’re back, they look
better than they have in all of New Who so far, and they’re
marching. Oh, they’re marching – they’re escaping from storage,
synchronizing, and marching down spaceship corridors. You could argue
that’s the quintessential Cyber money shot, and you wouldn’t be
far wrong. It’s just moderately depressing that the production team
knows that’s the case, and relies on it to cover up the lack
of personality in the supporting characters. Even when the humans
find themselves on a gigunda-ship in the middle of a
Cyber-graveyard, they still seem amazed and mystified when the
obvious likelihood that it’s a Cyber-ship is brought home to them,
like a bunch of Beryl Reids on a shipful of much less well-hidden
Cyber-recruits.
Ultimately, there’s a
sense throughout Ascension Of The Cybermen that we’re
heading towards something big – the Lone Cyberman is a strong
creation, giving the Cybermen a sense of communicable destiny
arguably for the first time since John Lumic in Series 2, which means
as a Cyber-story, it’s up there in the top half of New Who’s
dalliances with the sci-fi Frankensteins. Meanwhile, the Doctor’s
story-thread of a journey, a guardian, a boundary through which
apparently Cybermen have not been able to go, the Master’s not
entirely surprising return at the end and the bridge to Gallifrey is
all, at least on first viewing, rather more uninspiring because of
the lack of new marching Cybermen. There’s a chance it will
all come right in the end of course, that Part 2 will pay off
all the potential of this substantial Cyber-upgrade, while finding
enough for the Cybermen, the Master, potentially the Time Lords and
the Doctor all to do (ideally while blasting Ballykissangel to
atoms). That most of the non-regulars are as entirely forgettable as
those in The Battle Of Ranskoor Av Kolos (I Googled it. I
swear if the story were more memorable, I’d have memorized its
name) though means that while it aims ever higher up the drama and
jeopardy ladder, we have yet to actually care for any of the
potential victims of the Cybermen, which leads to a sense of
dislocation going into the second half. It might well justify the
hope that’s been stoked occasionally along the way through Series
12 and end on a belter, but as yet, beyond the interesting journey of
the Lone Cyberman and the look of the new Cyber-heads, it’s
difficult to see where the viewer’s investment is supposed to come
from.
Tony lives in a cave of wall-to-wall DVDs and Blu-Rays somewhere fairly
nondescript in Wales, and never goes out to meet the "Real People". Who,
Torchwood, Sherlock, Blake, Treks, Star Wars, obscure stuff from the
70s and 80s and comedy from the dawn of time mean he never has to. By
day, he
runs an editing house, largely as an
excuse not to have to work for a living. He's currently writing a Book.
With Pages and everything. Follow his progress at FylerWrites.co.uk
Post Top Ad
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment