Broadcast in January 1978, Underworld is a bold attempt to marry mythology with science fiction, taking inspiration from the Greek legend of Jason and the Argonauts. As the 96th adventure in the series, this four-part story challenges the limits of 1970s television technology with its ambitious use of blue screen and chroma key effects to create vast, otherworldly landscapes. Written by Bob Baker and Dave Martin and directed by Norman Stewart, the story’s ambition often outpaces its execution, but it remains a fascinating example of Doctor Who’s willingness to experiment.
The TARDIS arrives on a Minyan starship adrift in the depths of space, where the Doctor and Leela encounter the last remnants of a once-great civilization. The Minyans, cursed with near-immortality by the Time Lords’ meddling, are on a desperate mission to recover the genetic material needed to revive their dying race. Their journey takes them to the heart of a dense asteroid cluster, where they uncover the Oracle, a malevolent computer guarding the precious genetic material. As the Doctor and Leela assist the Minyans, they must navigate the Oracle’s traps and confront the moral consequences of the Time Lords’ interference.
Tom Baker’s Fourth Doctor is as engaging as ever, bringing a mix of levity and gravitas to the story. Baker’s ability to command attention, even in the midst of some uneven effects and pacing, ensures that the Doctor remains a compelling figure. His interactions with the Minyans are laced with a subtle critique of the Time Lords’ arrogance, highlighting the Doctor’s own distaste for their interventionist policies. Baker’s wry humour and quick thinking keep the narrative moving, even when the story itself falters.
Leela, played by Louise Jameson, continues to shine as a companion who combines courage with practicality. Her warrior instincts and straightforward approach make her a natural ally to the Minyans, who are torn between their godlike longevity and their struggle for survival. Jameson’s performance emphasizes Leela’s compassion and adaptability, as she navigates the tensions between the Minyans and the Oracle’s minions with her characteristic bravery and determination.
The Minyan crew, led by Jackson (James Maxwell), provides an intriguing glimpse into a society shaped by immortality and decline. Maxwell’s portrayal captures the weariness and determination of a leader burdened by centuries of failure and hope. Alan Lake’s Herrick, a more impulsive and combative character, contrasts with Jackson’s stoicism, adding a layer of tension to the group dynamics. The Oracle, voiced by Christine Pollon, serves as a chilling antagonist, embodying the dangers of artificial intelligence gone awry.
The production design of Underworld is ambitious, with the asteroid cluster and the Oracle’s domain intended to evoke a sense of scale and alien grandeur. However, the heavy reliance on blue screen technology often undermines the story’s visual impact, as the compositing struggles to convincingly integrate the actors with the backdrops. Despite these limitations, the concept of a journey through a labyrinthine asteroid remains a compelling narrative device, echoing the mythological roots of the story.
From a thematic perspective, Underworld explores the consequences of immortality, the moral responsibilities of advanced civilizations, and the cyclical nature of myth and history. The Minyans’ plight serves as a cautionary tale about the unintended consequences of technological and social engineering, while the Oracle’s manipulative control highlights the dangers of centralized power and blind obedience.
Revisiting Underworld in the context of this marathon, it’s impossible not to appreciate the ambition behind the story, even if the execution falls short. The parallels to Greek mythology, particularly the quest for the P7E as a stand-in for the Golden Fleece, add a layer of literary depth that elevates the narrative beyond its technical shortcomings. The Doctor’s role as a moral guide and problem-solver underscores the show’s enduring themes of hope and resistance against tyranny.
The climax, which sees the Doctor outwitting the Oracle and ensuring the Minyans’ escape with the genetic material, is both satisfying and thematically resonant. The resolution emphasizes the potential for renewal and redemption, even in the face of overwhelming odds. Leela’s unwavering support and her growing understanding of the Doctor’s philosophy further enrich their dynamic, setting the stage for future adventures.
Underworld is a story that exemplifies Doctor Who’s willingness to take risks, both narratively and visually. While its technical limitations may overshadow its strengths, it remains a testament to the series’ commitment to pushing the boundaries of storytelling. As the Doctor and Leela depart for their next destination, this tale leaves behind a reminder of the enduring power of myth and the resilience of those who dare to dream.
No comments:
Post a Comment