Science fiction has always held a special place in my heart. There’s something thrilling about imagining other worlds, pondering the future, or exploring the big "what ifs" of existence. There is no better medium to consider this than that of print. Big budget productions are fine, but with a book the imagery is only bound by my imagination. Over the years, I’ve found that the best sci-fi books do more than dazzle with imaginative concepts—they probe the human condition, inspire awe, and often provide scathing critiques of society as we know it.
I've set myself a variety of tasks this year (or at least start to do so this year, I'm quite accepting that this one will stretch into 2026), one of which is to start to read or re-read 100 of the greatest science fiction novels ever written, I’m excited to guide you through this list and the retrospectives to follow.
What Makes a Good Science Fiction Novel?
For me, a great sci-fi novel does three key things: it expands the boundaries of imagination, it poses questions that resonate deeply with readers, and it stands the test of time. Take Isaac Asimov’s Foundation, for instance. Written in 1951, it grapples with civilisation's rise and fall, and its psychohistory concept remains profoundly relevant as we tackle questions of predictive analytics and societal change.
Equally important is emotional resonance. Mary Shelley’s Frankenstein, often considered the progenitor of modern science fiction, offers more than just a Gothic tale of creation run amok. It’s a profoundly moving exploration of humanity, responsibility, and isolation that still speaks to readers two centuries later.
The genre also shines when it examines social structures. Margaret Atwood’s The Handmaid’s Tale forces us to confront gender politics and authoritarianism, while Octavia E. Butler’s Kindred ingeniously uses time travel to illuminate the horrors of slavery and racism.
Building the List
Choosing 100 sci-fi novels is a subjective endeavour—there’s no denying that. Some choices, like Arthur C. Clarke’s 2001: A Space Odyssey or Philip K. Dick’s Do Androids Dream of Electric Sheep?, feel almost inevitable. But I’ve also sought to balance the classics with modern masterpieces, such as Liu Cixin’s The Three-Body Problem and Becky Chambers’ The Long Way to a Small, Angry Planet.
I have no doubt that many titles which you might consider to be a favourite or a must-read could be missing from my list, but any list is subjective and my choices do not in any way discredit another's favourite title. (Why not add your choices in the comments below, I'm more than happy to then delve into further publications).
I want to also clarify that, outside of the top 10, these list is not ranked, simply 100 amazing adventures of boundless possibilities. It would be folly to try and rank them as preference changes from day to day, week to week, year to year. Even the top 10 are not explicitly ordered. For instance, War of the Worlds by H.G. Wells was my favourite book for most of my younger years, but I have to put them in some kind of order and this is how those 10 fell today.
Anyway, here they all are...
100 Must-Read Science Fiction Novels
Dune by Frank Herbert
Foundation by Isaac Asimov
Frankenstein by Mary Shelley
1984 by George Orwell
War of the Worlds by H.G. Wells
Brave New World by Aldous Huxley
Neuromancer by William Gibson
The Left Hand of Darkness by Ursula K. Le Guin
Do Androids Dream of Electric Sheep? by Philip K. Dick
The Martian Chronicles by Ray Bradbury
The Handmaid’s Tale by Margaret Atwood
Hyperion by Dan Simmons
Snow Crash by Neal Stephenson
The Three-Body Problem by Liu Cixin
The Long Way to a Small, Angry Planet by Becky Chambers
Slaughterhouse-Five by Kurt Vonnegut
Kindred by Octavia E. Butler
2001: A Space Odyssey by Arthur C. Clarke
A Canticle for Leibowitz by Walter M. Miller Jr.
I, Robot by Isaac Asimov
Contact by Carl Sagan
Journey to the Centre of the Earth by H.G. Wells
Flowers for Algernon by Daniel Keyes
The Fall of Hyperion by Dan Simmons
The Dispossessed by Ursula K. Le Guin
Annihilation by Jeff VanderMeer
World War Z by Max Brooks
Perdido Street Station by China Miéville
Starship Troopers by Robert A. Heinlein
Solaris by Stanisław Lem
Children of Time by Adrian Tchaikovsky
The Moon is a Harsh Mistress by Robert A. Heinlein
The Forever War by Joe Haldeman
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
Ringworld by Larry Niven
Binti by Nnedi Okorafor
Blindsight by Peter Watts
The Time Machine by H.G. Wells
Fahrenheit 451 by Ray Bradbury
Anathem by Neal Stephenson
Old Man’s War by John Scalzi
The Power by Naomi Alderman
City by Clifford D. Simak
The Andromeda Strain by Michael Crichton
Shards of Honour by Lois McMaster Bujold
Gateway by Frederik Pohl
The Road by Cormac McCarthy
Oryx and Crake by Margaret Atwood
Embassytown by China Miéville
Parable of the Sower by Octavia E. Butler
The Man in the High Castle by Philip K. Dick
Altered Carbon by Richard K. Morgan
Spin by Robert Charles Wilson
The Calculating Stars by Mary Robinette Kowal
Revelation Space by Alastair Reynolds
The Book of the New Sun by Gene Wolfe
Light by M. John Harrison
Wool by Hugh Howey
Ancillary Justice by Ann Leckie
The Diamond Age by Neal Stephenson
Seveneves by Neal Stephenson
Lucifer’s Hammer by Larry Niven and Jerry Pournelle
Red Rising by Pierce Brown
The Sparrow by Mary Doria Russell
Under the Skin by Michel Faber
A Fire Upon the Deep by Vernor Vinge
Morning Star by Pierce Brown
The Hunger Games by Suzanne Collins
Battle Royale by Koushun Takami
Sea of Rust by C. Robert Cargill
The Chrysalids by John Wyndham
Earth Abides by George R. Stewart
Metro 2033 by Dmitry Glukhovsky
The First Fifteen Lives of Harry August by Claire North
Station Eleven by Emily St. John Mandel
Cloud Atlas by David Mitchell
Eon by Greg Bear
Diaspora by Greg Egan
The Postman by David Brin
We by Yevgeny Zamyatin
The Windup Girl by Paolo Bacigalupi
The Drowned World by J.G. Ballard
The Kraken Wakes by John Wyndham
Never Let Me Go by Kazuo Ishiguro
Roadside Picnic by Arkady and Boris Strugatsky
The Night Side of the Sun by David Wingrove
Pavane by Keith Roberts
The Water Knife by Paolo Bacigalupi
The Space Between Worlds by Micaiah Johnson
To Say Nothing of the Dog by Connie Willis
Ender’s Game by Orson Scott Card
A Scanner Darkly by Philip K. Dick
Dark Matter by Blake Crouch
Leviathan Wakes by James S.A. Corey
The Library at Mount Char by Scott Hawkins
Recursion by Blake Crouch
The Rapture of the Nerds by Cory Doctorow and Charles Stross
The 5th Wave by Rick Yancey
Life as We Knew It by Susan Beth Pfeffer
The Broken Earth Trilogy by N.K. Jemisin
Dune by Frank Herbert
Foundation by Isaac Asimov
Frankenstein by Mary Shelley
1984 by George Orwell
War of the Worlds by H.G. Wells
Brave New World by Aldous Huxley
Neuromancer by William Gibson
The Left Hand of Darkness by Ursula K. Le Guin
Do Androids Dream of Electric Sheep? by Philip K. Dick
The Martian Chronicles by Ray Bradbury
The Handmaid’s Tale by Margaret Atwood
Hyperion by Dan Simmons
Snow Crash by Neal Stephenson
The Three-Body Problem by Liu Cixin
The Long Way to a Small, Angry Planet by Becky Chambers
Slaughterhouse-Five by Kurt Vonnegut
Kindred by Octavia E. Butler
2001: A Space Odyssey by Arthur C. Clarke
A Canticle for Leibowitz by Walter M. Miller Jr.
I, Robot by Isaac Asimov
Contact by Carl Sagan
Journey to the Centre of the Earth by H.G. Wells
Flowers for Algernon by Daniel Keyes
The Fall of Hyperion by Dan Simmons
The Dispossessed by Ursula K. Le Guin
Annihilation by Jeff VanderMeer
World War Z by Max Brooks
Perdido Street Station by China Miéville
Starship Troopers by Robert A. Heinlein
Solaris by Stanisław Lem
Children of Time by Adrian Tchaikovsky
The Moon is a Harsh Mistress by Robert A. Heinlein
The Forever War by Joe Haldeman
The Hitchhiker’s Guide to the Galaxy by Douglas Adams
Ringworld by Larry Niven
Binti by Nnedi Okorafor
Blindsight by Peter Watts
The Time Machine by H.G. Wells
Fahrenheit 451 by Ray Bradbury
Anathem by Neal Stephenson
Old Man’s War by John Scalzi
The Power by Naomi Alderman
City by Clifford D. Simak
The Andromeda Strain by Michael Crichton
Shards of Honour by Lois McMaster Bujold
Gateway by Frederik Pohl
The Road by Cormac McCarthy
Oryx and Crake by Margaret Atwood
Embassytown by China Miéville
Parable of the Sower by Octavia E. Butler
The Man in the High Castle by Philip K. Dick
Altered Carbon by Richard K. Morgan
Spin by Robert Charles Wilson
The Calculating Stars by Mary Robinette Kowal
Revelation Space by Alastair Reynolds
The Book of the New Sun by Gene Wolfe
Light by M. John Harrison
Wool by Hugh Howey
Ancillary Justice by Ann Leckie
The Diamond Age by Neal Stephenson
Seveneves by Neal Stephenson
Lucifer’s Hammer by Larry Niven and Jerry Pournelle
Red Rising by Pierce Brown
The Sparrow by Mary Doria Russell
Under the Skin by Michel Faber
A Fire Upon the Deep by Vernor Vinge
Morning Star by Pierce Brown
The Hunger Games by Suzanne Collins
Battle Royale by Koushun Takami
Sea of Rust by C. Robert Cargill
The Chrysalids by John Wyndham
Earth Abides by George R. Stewart
Metro 2033 by Dmitry Glukhovsky
The First Fifteen Lives of Harry August by Claire North
Station Eleven by Emily St. John Mandel
Cloud Atlas by David Mitchell
Eon by Greg Bear
Diaspora by Greg Egan
The Postman by David Brin
We by Yevgeny Zamyatin
The Windup Girl by Paolo Bacigalupi
The Drowned World by J.G. Ballard
The Kraken Wakes by John Wyndham
Never Let Me Go by Kazuo Ishiguro
Roadside Picnic by Arkady and Boris Strugatsky
The Night Side of the Sun by David Wingrove
Pavane by Keith Roberts
The Water Knife by Paolo Bacigalupi
The Space Between Worlds by Micaiah Johnson
To Say Nothing of the Dog by Connie Willis
Ender’s Game by Orson Scott Card
A Scanner Darkly by Philip K. Dick
Dark Matter by Blake Crouch
Leviathan Wakes by James S.A. Corey
The Library at Mount Char by Scott Hawkins
Recursion by Blake Crouch
The Rapture of the Nerds by Cory Doctorow and Charles Stross
The 5th Wave by Rick Yancey
Life as We Knew It by Susan Beth Pfeffer
The Broken Earth Trilogy by N.K. Jemisin
A Final Note
Starting right now, with approximately one title a week, I’ll re-read and then dive into each of these works with fresh retrospectives, reflecting on their relevance in 2025 (and then 2026). Why does Dune endure as a touchstone of political intrigue and ecological awareness? How does Kindred resonate amid our ongoing struggles with racial equity? These questions, and many more, will guide my exploration.
Whether you’re revisiting an old favourite or discovering a gem for the first time, I hope these reviews will illuminate why these stories matter. It’s not just about the “what ifs”; it’s about the “what now” as well. Here’s to unforgettable journeys—and the boundless possibilities of science fiction.
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